I wrote this post a while ago on the site, but I have been thinking about it alot.

For the last two years, I have been reading more nonfiction than ever before, and many times there is something missing under the surface. Good writing certainly, but still hollow. There is also some good writing advice here I believe, especially for those looking for suggestions or exercises to help their ability take off.

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There is this truth around writing that we all can’t put our finger on. It’s enigmatic, elusive. But this “thing” can make a story or destroy it; it can change a letter from something that is thrown away or kept; and it is what makes an e-mail readable or spam.

Let me break this down in a different way.

As a book reviewer, I’ve had the pleasure of reading a lot of contemporary literature. And many times, these works will be by academics with amazing degrees and resumes. No one can deny these books are well-written, with a well-developed vocabulary and well-crafted plots. Yet, as a reader they don’t stick. I have no emotional attachment. It is like finishing a dry work assignment, not a work of art.

Recently, I had the same feeling reading Purity by Jonathan Franzen (you can read and hear my review here). No respectable reviewer will deny that Franzen is a good writer. He is, but his writing always misses something for me. And while I can respect the talent, I rarely remember anything after that last page is turned, almost relieved I got to the end of another gigantic tome.

So what do the academics and authors like Franzen miss?

Technically, they would argue nothing. They checked all the boxes that should make a work successful. Critics and publishers will agree. I might even agree! But it doesn’t change the fact that something was lacking and it is something behind the words.

I’m talking about heart.

Heart is the one thing that truly can’t be taught in an English or writing classroom, but it is also the most important thing a writer will need. And if used right by a writer, it can change opinions, stir a reader to act, and even make people cry or laugh. It is what takes a jumble of words and turns them into a message.

When writing has heart (be it in fiction, nonfiction, or even in marketing or business writing) it can move mountains. It can stir donations, create movements, and make art that truly will live after a writer has shuffled off this mortal coil.

Heart is the one thing all great writing share in all genres and styles. And yet, while we all have emotions, why is it so difficult for so many of us to call upon this organ? Continue reading →