I don’t always like fiction.
This may seem weird to say since I am a writer, I have an MFA in the field, and I used to do book reviews on NPR (actually I did those reviews for over three years, you can find them here), but it is true. Painfully, painfully true. I just don’t always enjoy reading fiction. And it is rare on a relaxing Sunday afternoon that I feel like turning to a piece of fiction to pass the time.
I know… I know… blasphemy!
The problem is I believe that I have studied and analyzed literature to such a point that I have practically (and academically) taken the pleasure out of it.
It’s the great college conundrum! A question every college student has to ask him or herself- Do you go into a field around the subject that you love? Yes, you will enjoy the classes more than you would, say, in a different field but it also may impact how you view it for the rest of your life.
In other words, once Dorothy sees the wizard behind the curtain you can’t put the wizard back. English majors like me are Dorothys. And no matter how much we wish it, we can’t bring the “magic” back.
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I am haunted by fonts. While the characters in MAXIMILIAN STANDFORTH AND THE CASE OF THE DANGEROUS DARE are haunted by ghosts and other demonic surprises, I am haunted by the way an “a” can curve, and what each letter may or may not say about my story.
Yes, I have lost days, weeks, debating with myself the right kind of font to use for the book I am self-publishing. It has gotten so bad that some of the fonts are starting to take on personalities for me. For example:
- Times New Roman is the preppy know-it-all in school. The one you would swear at under your breath when they get a better grade than you.
- Verdana thinks it is mysterious (it is not).
- Palatino would dot its i’s with hearts if it could. It is that overly cute.
- Calibri… well… it is just dumb.
- Arial is a pampering old grandmother with stale hard candy in a dusty bowl. Yes, the best intentions are there, but you don’t want to eat them. Ew.
I’ve changed my manuscript again and again trying to find the one that best captures my book. Now the book is a Victorian period mystery (of course, that is not without including the experimental twists in it), so a font that feels a little dated would be nice. Yet, I don’t want to go too much in that regards. I don’t want to drive readers away as if they can feel the dust on the font and story. Continue reading