In my next life, I will be British.
I know this is true right down to the fiber of my being.
I will be sophisticated, I will look good in suits, I will enjoy tea and crumpets, I will understand the point of Cricket, and I will have an accent that will add to my wit, not diminish it in the least.
I grew up with a love of the country and when I got married it was only natural that I married a woman whose family is British. Sadly, my wife doesn’t have the accent (she was the only member of the family born in the states), but she still shows hints of it; she perfectly pronounces all of her words and doesn’t have, what I like to think of as the “Michigan slur” that haunts me and many others in my state. (When I was in grad school in Los Angeles you have no idea how many times I was asked to repeat something because of that slur.)
Shirts with the Union Jack, Beatles’ posters on my walls, this adoration for England stems from music to history to, most importantly, books.
Yes, all cultures have great writers to point to, but when you speak of British writers you enter the land of myths and legends for me. These are my Herculeses, my Paul Bunyans.
From Jane Austen’s little villages to Sir Arthur Conan Doyle’s shadowy moors to Charles Dickens’ cobblestone and dirty London streets, they each had a hand in creating the image that stuck with me of merry ol’ England. Every major experience I had growing up as a reader involved a British writer, starting with reading Winnie-the-Pooh with my mom (I remember us both laughing hysterically when Piglet was trying to help Pooh capture a Heffalump) through Roald Dahl and then the fantasy realms of Tolkien and Lewis that took my breath away.
And don’t forget, England gave us Shakespeare. Continue reading