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The Stories of Scott D. Southard

  • In Jerry’s Corner
  • A Jane Austen Daydream
  • Permanent Spring Showers
  • Megan
  • Maximilian Standforth and the Case of the Dangerous Dare
  • The Dante 3
  • Me Stuff
  • Man Behind the Curtain
  • March 7, 2012

    The Mistakes of the Newbie Novelist

    Sometimes when I work with new novelists or self-published writers, I wonder (and this is awful to say) if they even really like books.

    Why is it that people are drawn to wanting to be writers?  Is the image too glamorized in books, TV, and movies? Is it for the bragging right, so they can say “Yes, I have written a book? It is right there.” Is it because it seems simple to do since we all know how to form a sentence thanks to public education? Has self-publishing companies done too good a job ruining the myth that writing is a skilled craft? What is it that draws people to take on this art, resulting in a congested market and thousands of badly written books finding their way onto amazon each year with badly made covers on photoshop?

    I wish I had an answer to all of my questions, because sometimes I want to give new novelists interventions. In other words, sit them down and ask at the beginning of the process, “Do you really want to do this? Really? Why?”

    The thing I am the most surprised about when working with a first-time novelist is how many rookie mistakes get made. Yet, they still come up again, and again, and, over time, I have begun to sound like a broken record. Here are four obvious errors that drive me crazy with some helpful recommendations for the newbies out there: (more…)

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  • February 29, 2012

    Walt and Me

    I was not a Disney kid growing up; I became a fan of Mr. Disney as an adult.

    It seems weird to say it, like I should be having my official “literary snob” business cards taken away, but this is one of my quirks (possibly embarrassing) and it was not something I was planning. I am a fan of the man and mainly that all stems from Disneyland.  Let me explain this better:

    It was February 2000 and I had just moved from Michigan’s snowy winter to the surrealism that is Los Angeles. I was starting mid-term in the graduate program in writing at the University of Southern California, which definitely put me in an odd position. I was the new kid and many of the cliques were already formed in the autumn, when everyone else started. Plus, to be honest, programs like this are not exactly a place where people make friends; there is a lot of competitiveness in the writing world. You want to have the respect of your professors and be in with the good writers, you do not want to be part of the other groups, trust me.

    So to say I was lonely and feeling out of sorts at that moment would be to put it mildly. I was not on my A game.

    Anyway, I was watching TV in my grungy graduate apartment (seriously, my roommate was one of the messiest people I had ever met; I was terrified to get near the kitchen, deciding to live off food from the local Starbucks and canned goods), when an ad came up for Disneyland. (more…)

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  • January 11, 2012

    Why This Writer Feels Guilty For Loving SHERLOCK

    Let me say this off the bat– SHERLOCK is one of the best written TV series I have ever had the pleasure to watch.

    I love all the twists and turns and surprises in each episode. I think the actors are great in their parts and I look forward to each new episode. I’ve already seen two of the three new episodes of season two, and it is even better than the first season. As a fan, I hope the series goes on for another 10 years.

    OK, I got that off of my chest.

    Now, let me say I feel slight tinges of guilt for loving and supporting the series, because it is not Sir Arthur Conan Doyle’s vision. Oh, they are his characters (the main ones, albeit with cell phones), but they are not his stories, his world, his words, his adventures, his time period. The creators are–to put it bluntly and completely on the table–taking what they want from his stories in piecemeal, and remaking it for their own profit.

    Again, I love the series. I want it to go on, but it does set a precedent that makes me a little concerned. Because of this series’ success are we going to see “new versions” of classics all over the place? Is that a good thing? And more importantly, does it give the respect to the original artist that they deserve for their own creation?

    Consider this, if SHERLOCK wasn’t such a well-made, well-written series would we be as happy around the enterprise?

    If it was crap, I can guarantee you that the Sherlock Holmes fan sites around the world would have risen in protest around it. The fact it is good, helps. So do we say, it is OK to “reinvent” an artist’s creation as long as it is good?  And who defines good? I don’t know about you, but I typically don’t trust TV executives to make that call for me. (more…)

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