I live vicariously through Jaleel Shaw.
Before I fell completely into the pool of being an author, for a time I dipped my toe in jazz.
I don’t know why I was so drawn to playing saxophone, but there was something that took my breath away immediately with it (not always a good thing to have happen while playing a reed instrument, by the way). A sax can convey so much, with the power to move you to tears or to get you to your feet to cheer. Two things I have seen happen live, but honestly never when I was performing.
For almost a decade it was an obsession, and not an evening would go by when I wasn’t at a lesson, taking part in a rehearsal, or practicing up in my bedroom. Because, I believed, with enough practice, yes, I could sound like Charlie Parker.
It was a happy dream, and I felt like I was doing something important while under it.
Looking back now, I can almost laugh at my passion around it, but for years, I would fall asleep each night with Bird and Branford Marsalis playing on repeat on my CD player; certain I could get their chops through a form of musical osmosis. Continue reading