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The Stories of Scott D. Southard

  • In Jerry’s Corner
  • A Jane Austen Daydream
  • Permanent Spring Showers
  • Megan
  • Maximilian Standforth and the Case of the Dangerous Dare
  • The Dante 3
  • Me Stuff
  • Man Behind the Curtain
  • March 9, 2012

    UPDATE

    UPDATE: I have recently purchased for my daughter their newest addition, Jane Eyre and I have to say I am pretty disappointed. While it is cool to say my baby is reading Jane Eyre, the choices that Adams made for counting are pretty weak (Seriously, she counts trees… Trees!); almost making me wonder if she bothered to reread Jane Eyre before writing it, as compared to simply watching it on TV. So my overall review of this series of books is if you (or one of your expecting friends) is the literary/reading type they are fun to buy, but don’t expect more than the illusion that your baby/toddler has a mini-classic library.

    Scott D. Southard's avatarThe Stories of Scott D. Southard

    I have a new review up on GreenSpotBlue.com. It is a children’s book review of BabyLit Books by Jennifer Adams. If you are a reader (or know some readers) with young kids (or expecting some) I recommend you check out my review.  Here is the beginning:

    –

    This doesn’t happen often to me…

    When I found these books I immediately had to have them for my daughter for Christmas. Yes, my daughter was only 8-months old at the time so I was being a little too ridiculous in my excitement as I frantically visited book Web site after book Web site trying to find a local store that had copies on their shelves. The idea of these books inspired me to that great an extent that when I finally found copies and had them held it at the front desk, I breathed a sigh of relief.

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  • February 15, 2012

    Adapting Tolkien

    Growing up, I would read J.R.R. Tolkien’s works once a year. Yeah, I was that kid.

    I wanted to escape to Middle Earth, and unlike other writers and novels (where I was happy with just having the book), there was always something about his creation that made me wonder about adaptations. I wanted to hear, see, and visit Middle Earth and other mediums would only get me closer to that escapism goal. So I would “try out” every version I could get my hands on.

    The Lord of the Rings is not a perfect book. It is a classic, but it is not perfect. That is fine, there are very few perfect books out there (I can only think of Pride and Prejudice and A Christmas Carol off of the top of my head). What “perfect” means to me is that there are no fluctuations in the plot that are unexplained, everything is tied up in a neat bow and there is little to debate because it is all perfectly there on the page. Whew…

    Frankly, if that was done with Tolkien we wouldn’t have all of the fun things to debate! Like, why does the ring’s power change over the course of the series is an easy example of what I mean.

    The fact is Tolkien didn’t write like other people. He would begin a story at the very beginning and write until he ran out of ideas… But instead of just fixing what he did and moving forward; he would, instead, start over at the beginning again. It’s one of the reason we have so many different versions of The Lord of the Rings to look at thanks to his son’s (Christopher) later releases.

    While I can NOT imagine writing a book like that, it does explain to me a few snags I have always noticed about the final version of the book, besides the ring’s changing power. Why, for example, the narrator’s voice changes over the book from cutesy (for example, in the beginning we have Tom Bombadil and a curious fox… Yes, there is a fox that is curious; go back and check it out) to extremely dark.  It’s almost like he discovered what he wanted the series to be like at Weathertop, and didn’t care about going back and changing the beginning.

    Yes, to say it again, The Lord of the Rings is classic, but it is not perfect; and since I love the world and the characters I have devoured every adaptation I could get my hands on. Here are my thoughts on the radio, TV, and film versions of the great Oxford professor’s epic. (more…)

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  • February 9, 2012

    Writer’s Corner: A Query Letter for Jane Austen

    I always seem to be overtaken by a feeling of apprehension whenever I begin to consider the idea of contacting agents and publishers again. To begin with, it’s not like I feel like I am “selling out” myself or my books, but I am definitely doing something that makes me feel a little dirty.

    See, when you are writing a book you have all of the best intentions. You want to tell a great story, maybe do something groundbreaking or new in your artform; but when you start to contact agents and publishers you have to forget all of that. The best intentions are fine for writing tables; agents and publishers, typically, want to know the bottom line.

    Could this book sell?

    More established authors have their name to help sell a new work, but when you are unknown you are a member of the ever-growing faceless mass. And by that I mean, the daily struggling army of want-to-be authors that fight in query letters and e-mails for attention for their work. And that army is growing each year as more and more people graduate from English programs and writing programs, or simply decide they want to write a book… growing and growing… (more…)

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  • January 19, 2012

    One of My Favorite Finds of Last Year: BabyLit Books by Jennifer Adams

    I have a new review up on GreenSpotBlue.com. It is a children’s book review of BabyLit Books by Jennifer Adams. If you are a reader (or know some readers) with young kids (or expecting some) I recommend you check out my review.  Here is the beginning:

    –

    This doesn’t happen often to me…

    When I found these books I immediately had to have them for my daughter for Christmas. Yes, my daughter was only 8-months old at the time so I was being a little too ridiculous in my excitement as I frantically visited book Web site after book Web site trying to find a local store that had copies on their shelves. The idea of these books inspired me to that great an extent that when I finally found copies and had them held it at the front desk, I breathed a sigh of relief. (more…)

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  • January 11, 2012

    Why This Writer Feels Guilty For Loving SHERLOCK

    Let me say this off the bat– SHERLOCK is one of the best written TV series I have ever had the pleasure to watch.

    I love all the twists and turns and surprises in each episode. I think the actors are great in their parts and I look forward to each new episode. I’ve already seen two of the three new episodes of season two, and it is even better than the first season. As a fan, I hope the series goes on for another 10 years.

    OK, I got that off of my chest.

    Now, let me say I feel slight tinges of guilt for loving and supporting the series, because it is not Sir Arthur Conan Doyle’s vision. Oh, they are his characters (the main ones, albeit with cell phones), but they are not his stories, his world, his words, his adventures, his time period. The creators are–to put it bluntly and completely on the table–taking what they want from his stories in piecemeal, and remaking it for their own profit.

    Again, I love the series. I want it to go on, but it does set a precedent that makes me a little concerned. Because of this series’ success are we going to see “new versions” of classics all over the place? Is that a good thing? And more importantly, does it give the respect to the original artist that they deserve for their own creation?

    Consider this, if SHERLOCK wasn’t such a well-made, well-written series would we be as happy around the enterprise?

    If it was crap, I can guarantee you that the Sherlock Holmes fan sites around the world would have risen in protest around it. The fact it is good, helps. So do we say, it is OK to “reinvent” an artist’s creation as long as it is good?  And who defines good? I don’t know about you, but I typically don’t trust TV executives to make that call for me. (more…)

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  • October 5, 2011

    An Interview about A Jane Austen Daydream…

    I gave an interview recently to Vicariously Jane Austen about A JANE AUSTEN DAYDREAM. You can check it out here: http://www.janeaustenlives.socialgo.com/magazine/read/3-minute-interview-scott-southard-author-of-a-jane-austen-daydream_5.html

    Enjoy!

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  • July 13, 2011

    A Jane Austen Daydream on Period Dramas.com

    Period Dramas.com (a Website celebrating period-drama stories) has created a page supporting A JANE AUSTEN DAYDREAM. You can check it out here-

    http://www.perioddramas.com/articles/a-jane-austen-daydream.php

    It has been very flattering the attention and support I have received from the Jane Austen fans (the Austenites) out there for this little book.

    Thank you!

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  • February 14, 2011

    Quoted in an article…

    Hi, I’m quoted in an article on annarbor.com.  The article is called “The Quirk Classic Series: A Literary Homage or a Disrespectful Distortion.” For those not in the know, these are the series of books where “authors” take another (and far better) artist’s work and add a  “fantastical trick” to it so they can make a buck off of the other’s product.  And since the author is far dead, they won’t mind, right? (But wouldn’t it be great if Jane Austen could return as a zombie and attack the people that ruined her greatest novel?).

    This is my quote from the article:

    “They are actually using Austen’s words, and Jane was pretty protective of her writing. I can’t imagine she would be happy to have another author’s name like that on the book, nor the …intrusion of zombies…” says Scott D Southard, author of “My Problem with Doors.” “I like to think of these new ‘classics’ as the equivalent of a bratty child repeating what a parent says in a higher, squeaky voice… but on a literary, artistic level, of course.”

    You can read the rest of the aticle here:

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