My Ten Favorite Books: In My Head…

BooksBusy editing… busy reading… busy reviewing… and it’s summer.

Oh, I’m still here, just locking down my new book. And the new Harper Lee is out today (wow, it is sooo weird to type that). and I need to read it fast for my book reviews.

But I haven’t forgotten about this site! No you guys are still in my heart and head, so I thought I would share a quick list.

If you ever want to get into the head of an author ask them their 10 favorite books. Nothing will give you a better insight into their mind and creativity. So here is mine…

1. Pride and Prejudice by Jane Austen- Easily, one of the few perfect novels in literature. Not a word out of place.

2. Cat’s Cradle by Kurt Vonnegut- My favorite from one of my favorite authors.

3. The Great Gatsby by F. Scott Fitzgerald- Great to read, better to read aloud.

4. The Abortion by Richard Brautigan- The obscure work in the list. Love this book and the bookstore in it (which would be called in today’s world “Amazon.com.”)

5. Dandelion Wine by Ray Bradbury- Beautiful, beautiful…

6. The Lion, the Witch, and the Wardrobe by C.S. Lewis- When I was a kid and I visited new houses I would check every closet for Narnia. (Honestly, I still do that from time to time.)

7. To Kill a Mockingbird by Harper Lee- You read this, right? Kind of a big deal in American Literature, especially right now (new book and all).

8. To The Lighthouse by Virginia Woolf- A huge influence on how I set up family scenes and develop characters.

9. A Christmas Carol by Charles Dickens- This is a story stolen by the business of Christmas, but once it was just a wonderful novella. Well, it still is and it is great.

10. Middlemarch by George Elliot- A literary epic, grand and at the same time filled with wonderful little moments and characters. Also one of the most beautiful endings.

Now I’m off to read this new book by Harper Lee (again, crazy we get to say that).

Talking About Some Deaths in Literature

Death is kind of on my mind a lot recently. My grandfather (who I wrote about here), died on February 9 and the loss of him and how it has impacted my every day thoughts had really made me think about death in relation to a lot of things around me. In my author-esq head, it’s not surprising that literature found its way into the mental ramblings (or should we just be honest and call them distractions from reality?).

It seems many times we don’t take “dead” very seriously in literature. Unless it is gruesome (Hi, George R.R. Martin!), or the other characters are seriously changed because of it for the worse (Seriously, why did Little Nell have to snuff it?), many times it seems to float past us as a plot device. Is it because we have a long history of people returning to life in books so it doesn’t feel as final? (Aslan, Gandalf, every comic book character, and most religious stories, etc.) The corpse is rarely there in a story, unless it has just happened; that could be part of it as well.

Death in writing is a plot device. It is a tool both sharp as a knife and as a blunt as a sledgehammer.  We cheer when bad guys die. We look at a death sacrifice as heroic, not thinking of the final end that just happened to a character.

Is it simply because we don’t see characters as “human?” So maybe it is more a fault of us writers that a readers feels, or doesn’t feel, the loss. There might be something to it. I wrote a book, MEGAN, that is built around a death and I tried to show a character from being told of the death of another with all the initial stages of acceptance over the course of a day. Hmmm… Probably why the work isn’t as popular on amazon.com than my time-traveling adventure, My Problem With Doors. So clearly, death is not a selling point.

There is a lesson there  I learned that you will not need to now. You can thank me later.

Sometimes a death can slip right by, almost as an afterthought. My favorite example of this is the first Harry Potter book. One thing I love to point out to people is that Harry Potter begins with a double homicide. Yes, we see the scene later in the series (We get a little description in the first book, just a taste). And while JK Rowling does her best to take a light approach to that first chapter (Vernon in all his heavy-set foolishness), it doesn’t change the fact the story really started the evening before when Voldemort went into the home of the Potters and slaughtered them gleefully. Continue reading

Writer’s Corner: Four Projects I Would Love to Adapt for the Silver Screen…

A few days ago I went through some of my old writing files on my computer seeing what jumps out at me and what inspires me today; and, for some unexplained reason, my mind began to think about film adaptations.

There is a great public misnomer about film adaptations. When you hear people talk about films adapted from books or plays, the audience seems to think that the screenplay writer had a choice in making changes for the big screen. “Why couldn’t he have just filmed the book?” You would hear that complaint a lot around the Harry Potter films in podcasts and forums, for example.

The fact is film is a different medium than books, and with it comes its own limitations and strengths. While the borders on a book are only limited by the imagination of the reader (and writer), a film has to be focused on one point at a time, understanding that there is only so much space on the screen at any given moment. Length, pacing, and audience need to be considered (You can’t have things happen “off screen” in a movie, for example; the audience will think it didn’t happen if they didn’t see it).

The greatest difference between film and books, is that a film has got to “earn” your attention for every minute. It is harder for a film to “suspend disbelief.” Which means a story, while in a book can be stretched out, in a film there has to be action. In other words, there must always be movement; it’s how they keep our eyes on the screen and our hands out of the popcorn bowl. Continue reading

Some Thoughts on Harry Potter, Lucy Pevensie, Alice, and Compasses…

Here’s a confession- I’ve always wanted to write Children’s literature.

Oh, not any typical children’s lit/young adult book, I’ve always dreamt of doing something groundbreaking, stupendous. So, in other words, I’ve built up the idea so much in my head that I can’t even begin to start. None of the ideas I get reach that level. Of course, none could.

Why do I love the idea of writing a book in this genre? Because this is the gateway drug for all good readers (I plan to stop the drug references there). We don’t start by reading War and Peace; we start by reading Lewis Carroll and his Alice. A good children’s lit book will inspire a reader (and writer) for decades afterwards.

I can go on about this for pages–and I’ll probably talk about it again at some point–but let me focus today on one thing I love and two things I think children and young adult lit needs help on. Continue reading