Jeeves | The Musings & Artful Blunders of Scott D. Southard

Cheerio!

What inspired me to write my editorial this week, “The Happy Anglophile,” is that I am in the process of editing two different books- A Jane Austen Daydream (to be published in April by Madison Street Publishing) and Maximilian Standforth and the Case of the Dangerous Dare (which I am self-publishing and sharing the experience via posts, like this one where I discuss my great new cover artist). They are both very British books; one putting the spotlight on Miss Austen, the other trying to capture the world and vibe of Sherlock Holmes.

Not bad for a kid from Michigan, eh?

And it doesn’t stop there! I’ve been thinking about writing a post on a controversial belief I have on Shakespeare next week, and I have been debating myself for months on writing on my love of PG Wodehouse and Douglas Adams (I should have done the Douglas Adams one nearer his Birthday… damn).

Anyway, looking back over the blog, my anglophile-tendencies have been on display ever since I started writing, from books to movies to television to music. For your reading pleasure this weekend here are links to some of my more popular posts on my favorite second home.

Pip pip!

Television is rarely art.

A big part of that is because of how it is made, this is especially true in America.

American television is a business model made out of light entertainment, with the hope of reaching as much of the viewing population as possible. While a creator may start with the spark of an idea, it is in the manufacturing of that idea where the art is lost; and business men take over, hoping to stretch an idea out for as long as possible, generating the highest quota of viewers and advertising sales. And through this process sadly creators can disappear (Consider Dan Harmon and Community, which I wrote about here), walking away (or forced away) from their own creations, their own babies.

To understand what I mean about art, consider one important element that makes a good novel art. It is not merely the initial idea, but the follow through from the beginning to the end, everything coming together to make a wonderful perfected whole, like a present with a bow on top. Television doesn’t have that, especially in America, and it is rare that any writer or even creator know what they are working towards. Don’t believe me? Remember when they gave an end date for the show Lost and everyone thought that was revolutionary?

So while a show might have a few great episodes, a few great seasons, it is rare you can step back and look at a complete package and say that is a well-told story from beginning to end. Continue reading →