Is Historical Fiction a Good or Bad Thing?

HistoryI have a few writing posts on my site that are a little bit controversial.

One of those posts is my discussion around fan fiction, which you can read here. Every time—and I do mean every time—I share this article on Twitter or on a site it generates a response. (This is not surprising because people that read and write fan fiction come from a place of loving a story or an author. The debate is really around how best to show their love, what is appropriate and what isn’t, and who owns the story.)

On Saturday, I decided to re-tweet some of my writing articles, and just like clockwork I was getting responses to my fan fiction piece. One responder, Vanilla Rose (@MsVanillaRose), asked if that was not the same thing I was doing with my novel A Jane Austen Daydream. I quickly replied that my novel was historical fiction, a re-imagining of Jane’s life as one of her romantic and literary adventures.

It was after a few more tweet exchanges that Vanilla Rose said this, taking my breath away:

“…I think that inventing stuff about a person’s life is more problematic than playing with their work.”

Whoa… Continue reading

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Screenwriting 101: What Every Budding Film Writer Needs to Know

Film writing, creative writing’s least loved offspring.

It gets so little respect from the other mediums. Well, just look at the movies—you may say—just look at how many bad ones are made each year! Yet, to judge film writing overall based on a few bad seeds is not fair to the great stories that we have had on the silver screen over the ages. It’s like comparing all literary classics to the work of a few pulp romance or sci-fi novelists.

Film is very different from other story mediums. The limitations are extreme, and many times you will hear people dismiss the medium, not realizing the art needed to work within the strict borders film dictates. Yes, writing for film successfully is an art no matter what your friends who read 1000-page length novels and wear all black say; just as important as a perfectly structured and meaningful poem.

Here are some points I have always felt crucial in beginning an understanding about writing for film. Continue reading