Hamlet – Page 3 – The Stories of Scott D. Southard

February 9, 2012

Writer’s Corner: A Query Letter for Jane Austen
I always seem to be overtaken by a feeling of apprehension whenever I begin to consider the idea of contacting agents and publishers again. To begin with, it’s not like I feel like I am “selling out” myself or my books, but I am definitely doing something that makes me feel a little dirty.

See, when you are writing a book you have all of the best intentions. You want to tell a great story, maybe do something groundbreaking or new in your artform; but when you start to contact agents and publishers you have to forget all of that. The best intentions are fine for writing tables; agents and publishers, typically, want to know the bottom line.

Could this book sell?

More established authors have their name to help sell a new work, but when you are unknown you are a member of the ever-growing faceless mass. And by that I mean, the daily struggling army of want-to-be authors that fight in query letters and e-mails for attention for their work. And that army is growing each year as more and more people graduate from English programs and writing programs, or simply decide they want to write a book… growing and growing… (more…)
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February 6, 2012

Writer’s Corner: Four Projects I Would Love to Adapt for the Silver Screen…
A few days ago I went through some of my old writing files on my computer seeing what jumps out at me and what inspires me today; and, for some unexplained reason, my mind began to think about film adaptations.

There is a great public misnomer about film adaptations. When you hear people talk about films adapted from books or plays, the audience seems to think that the screenplay writer had a choice in making changes for the big screen. “Why couldn’t he have just filmed the book?” You would hear that complaint a lot around the Harry Potter films in podcasts and forums, for example.

The fact is film is a different medium than books, and with it comes its own limitations and strengths. While the borders on a book are only limited by the imagination of the reader (and writer), a film has to be focused on one point at a time, understanding that there is only so much space on the screen at any given moment. Length, pacing, and audience need to be considered (You can’t have things happen “off screen” in a movie, for example; the audience will think it didn’t happen if they didn’t see it).

The greatest difference between film and books, is that a film has got to “earn” your attention for every minute. It is harder for a film to “suspend disbelief.” Which means a story, while in a book can be stretched out, in a film there has to be action. In other words, there must always be movement; it’s how they keep our eyes on the screen and our hands out of the popcorn bowl. (more…)
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February 1, 2012

Relearning to Write
Mihaly Csikszentmihalyi has a theory of flow, which defines flow as “‘the state in which people are so involved in an activity that nothing else seems to matter; the experience itself is so enjoyable that people will do it even at great cost, for the sheer sake of doing it.” (You can read more about it here).

For me, this is more than a theory, this was my reality as a fiction writer. I can’t begin to tell you the days, weeks, and months, I would lose with a project. This is how my creativity used to work:
- I would get a spark of an idea, scribble down a few notes, but chances are it will sit in my head from anywhere to a few months to years.
- Suddenly, for some unexplained reason, my creativity is ready, and the idea is ready to be born, all I have to do is sit down.
- I will start to work on the idea, not always in chronological order, allowing my creativity to dictate what to work on and when.
- Bliss. (more…)
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January 18, 2012

10 Works I Wish I Had Written
Sometimes I feel like December and January are the times all entertainment Web sites and writers set aside for creating lists. We drown in them; from movies, to books, to important people, etc. Lists after lists after lists.

Don’t worry, this is not one of those lists. This is something a little more personal.

I’ve been, since starting this blog, trying to rethink my writing and my goals, and one thing I am trying to latch on to is what stimulates me, what means something to me. What do I want to accomplish in my own writing?

This list is of ten creations that, at one time or another, touched me as a storyteller. There is no particular order, no best to worst.

Are these choices the best in their mediums? No, not all of them. Are these things that I could have written? A few, I think with the initial spark I could have devised in a way. Are these works that inspire me? Most definitely. (more…)
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January 3, 2012

This Writer’s New Year Resolutions
1. To be more up-front about my writing and experiences in my blog, but not to come off as whiney or as if I deserve anything from anyone. The market is far too-congested with writers and luck and “who you know” plays a greater role than anything else on finding success as a writer.

2. To accept being a number three and hope someday to be a number 2… OK, I need to explain this one.

-BREAK FOR EXPLANATION-

In my opinion there are four levels of being a writer in today’s world:
- Number 1 are those that have a relationship with a big publisher and can actually survive as a writer without needing an additional job.
- Number 2 are those that have been published once or twice by a big house, but still need to have a day job
- Number 3 are the small, artistic, indie writers who get published by small, artistic, indie presses, find some small critical success but don’t make much money (if any).
- Number 4 are the clique of the self-published writers’ world. And yes, it is a clique. Some find success, most don’t… a large majority don’t.
3. Not to look down on the world of the Number 4 anymore. I do it, and even though my first book is out there via iuniverse, I still scorn the idea of being self-published. Sometimes all a writer wants is for their book to be published and at least this is an avenue for that. I need to be more understanding of that, but it can be hard for me to take a work like that as seriously as something from Putnam, for example. I know a lot of educated writers have the same mountain as me to climb about this; so this is me acknowledging the mountain. “Yes, I see the mountain, damn it!”

4. Find some inspiration this year, but not enough to take me away from being a good parent (I have two little ones and I don’t want them to come in second behind a project). I wrote an editorial on Green Spot Blue about this a while ago called “Mush.” Here is the link- http://www.greenspotblue.com/lifenestbabytoy/2010/12/21/mush.html

Hmmm…. It seems a lot of these deal with just be accepting of who I am and not getting down on myself about things.

So what are my hopes for the new year?

Well, I hope to find a publisher for A JANE AUSTEN DAYDREAM. The reaction for it appearing online was very good, and some publishers were initially interested, but everything has been silent since then. I did have one publisher replied and said that it needed to sound more “contemporary” if you can believe it. So a book that was mirroring Jane’s voice sounded too much like Jane, I’m not sure whether to be insulted or happy by that. While I would love a big house, I would be happy with a small press and the capability of it be in ebook format.

Ipublish Press which published MY PROBLEM WITH DOORS and MEGAN said they are trying to get the ebooks out on Google Ebooks this year. I really want that to happen… Which is funny since I have no desire to own a kindle or read an ebook. I actually had a friend since me a copy of her book as an ebook a while ag0 and I have guiltly yet to look at it ( I’m really sorry, Emlyn Chand. I will read FARSIGHTED soon, I swear). Is it an anti Kindle/ebook thing? I don’t know. It’s just reading a book on a screen takes something away for me.

And then there are the screenplays… I still dream of them being made, but the days of wanting to be the next Woody Allen are long gone. I have three scripts I really want to see made- CHRISTMAS DREAMING, THE SISTER MOON, and my adaptation of HAMLET (Which is always a debate for me whether it is the best thing I will ever do, or just one of them). But I do have others (4 others to be honest)… And there is a part of me that would like to write a new screenplay, but like with my books it is hard to be inspired when you think a work might join the pile of material sitting in my chest at the end of my bed. I need to feel like it will breath later. I have quite a few works already to feel guilty about just sitting around…. But seeing one of them that I wrote on the screen would be a dream…

Finally, I hope to survive the Mayan Death Day…

… Ok, that last one was a joke.

Hopefully.

Definitely, I mean nothing bad is going to happen.

Of course, if it does and I don’t plan, I’m going to regret it.

Argh.
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Writer’s Corner: A Query Letter for Jane Austen

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Writer’s Corner: Four Projects I Would Love to Adapt for the Silver Screen…

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Relearning to Write

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10 Works I Wish I Had Written

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This Writer’s New Year Resolutions

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