A lot of fantasies, daydreams, and rainbows cloud the world of writing. It’s not surprising; actually completely natural since we spend so much of our time making up stories as writers, why wouldn’t we have stories about the stories?
Have you ever seen that scene in a TV show or movie in which a writer finishes a book or script? The writer may raise his hands in triumph over an old typewriter or do a little dance; then we as viewers are then jumped forward in time to their inevitable success.
We don’t see the struggle over getting the book out, finding an audience, working with an agent or publisher or, more importantly, editing. And, let’s be honest, editing is not as exciting as the victory dance of a finished book or the sparks of coming up with ideas around a first draft.
Like I said, it’s a fantasy, people. I have even been known to say to writers that much of the art around true writing happens in the editing. It is there a work is “finetuned,” perfected into a final piece. This year, I worked with a series of different editors. First for, my novel A Jane Austen Daydream (which was published by Madison Street Publishing) and then for my novel Maximilian Standforth and the Case of the Dangerous Dare.
So why do I love editing so much? Well, because I learned about its importance the hard way. Yes, I have an editing and writing horror story, and I am about to share it. Be prepared, this is about to haunt you like a poltergeist… a writing poltergeist. Continue reading
The Musings & Artful Blunders of Scott D. Southard 