Working The Audience: A Very Useful Writing Trick

On the StageI am a little bit of a helpless romantic.

For those who read my novel A Jane Austen Daydream that is not at all surprising. And before I met my wife I thought of my writing as a gateway to the heart.

I was one of those fools that bought into the lie of the romantic novels and the romantic comedy films. You see this plot twist all the time! That grand gesture that makes a person reconsider another in a different light. Oh, it is a great idea in a story, but we all know, honestly, it goes against how people are wired in the real world.

Short stories with hidden messages (and not so hidden ones), books, and I still squirm to remember the poetry. I have admitted a lot of embarrassing stuff on this site, but this is one of those few memories I still want to crawl into a cave and live out my remaining days because of. Yup, just the hint of it makes me want to become a hermit.

I, Scott Southard, was the creator of bad love poems. And I have sent them, strategically left them around, and even mailed them once anonymously in the hope that it would make another stop and see me as hotter (as some kind of light rock classic kicks on in the background like in a bad movie). In the end it never worked… and, by the way, the recipient of the anonymous love poems didn’t even figure out they were from me until I said something! Ouch!

All those bad memories aside, there is something to be said for the importance of an audience. I’m not just talking about the readers all writers dream to have, I mean that more enigmatic dream of a reader. The one we hope will find our work, the one in the back of our mind that drives the creation forward. They demand the story. What many don’t realize is that dream reader can be a tool, and can help over many different steps in the creative process if used right. Just be sure to leave the poetry at home… Continue reading

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