American Film Institute | The Musings & Artful Blunders of Scott D. Southard

It takes courage to be an artist.

Many people don’t realize this in that first moment they pick up a pen or paintbrush, but they are put on display with the creation the second of its completion.

My favorite example of what I mean comes from being married to a dancer and choreographer. See, when a dancer performs, especially in a piece that they have created, their audience is watching many things.

Yes, the hope is that the audience is focused on the artistic performance, expression and emotional message of the piece, but an audience does so much more than that. They also may compare the dancers in the piece (which are better, which are worse), they might try to find the artist’s personality in it, they may look for mistakes, they may even study the bodies of the dancers. Of all of the art forms, this is in my opinion the most exposed and bravest.

But when you are writing a book, in the beginning you are alone, probably sitting in front of a desk someplace, a large drink with caffeine right nearby (well, that is me); it’s hard to remember that the real world is out there. However, it is out there and if your creation finds an audience, the audience will find you…. Continue reading →

I am a comedy snob.

I don’t laugh at fart jokes or burps, and most sitcoms bore me to pieces. Some of this elitism is because I studied comedy writing and seeing behind the curtain can take the surprise away (and much of comedy is about delivery), my upbringing since my dad introduced me to Monty Python at a young again, but most of it is just, frankly, because I am a comedy snob. And because of that, I have never laughed at a single scene in a single American Pie movie…

Not a single scene.

I expect more.

I expect more than stereotypes, pratfalls, sarcasm, easy parodies, and physical body humor. You can keep your Three Scrooges (even though I do like some of the Curly episodes), I’ll take the Marx Brothers any day of the week.

Here, in all my snobbery, are my six favorite comedies:

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Monty Python and the Holy Grail

When the American Film Institute (AFI) did their list of 100 laughs, they did not include a single Monty Python movie.

Not a one.

Their justification is that the films chosen had to have significant financial or creative production elements from the USA. Fine, whatever (even though, I would argue that the films were distributed and produced by a few Americans and American companies), but yet, they included A Fish Called Wanda on the list. Is it because two of the main cast members were American? Should I point out that Terry Gilliam of Monty Python (director, actor and writer) is American?

No, this doesn’t make sense to me either. Continue reading →